This story is part of the Translating Culture collection, a multimedia showcase of folktales translated from Russian, Spanish, and Arabic, curated by Sofi Sanders. An article discussing the collection is available in the non-fiction section.
A magical tale of deception, betrayal, freezing cold & family
In a far-away country, somewhere in Russia, there lived a stepmother who had a stepdaughter and also a daughter of her own. Her own daughter was dear to her, and always whatever she did the mother was the first to praise her, to pet her; but there was but little praise for the stepdaughter; although good and kind, she had no other reward than reproach.
What on earth could have been done? The wind blows, but stops blowing at times; the wicked woman never knows how to stop her wickedness. One bright cold day the stepmother said to her husband:
“Now, old man, I want thee to take thy daughter away from my eyes, away from my ears. Thou shalt not take her to thy people into a warm izba. Thou shalt take her into the wide, wide fields to the crackling frost.”
The old father grew sad, began even to weep, but nevertheless helped the young girl into the sleigh. He wished to cover her with a sheepskin in order to protect her from the cold; however, he did not do it.
He was afraid; his wife was watching them out of the window. And so he went with his lovely daughter into the wide, wide fields; drove her nearly to the woods, left her there alone, and speedily drove away — he was a good man and did not care to see his daughter’s death.
Alone, quite alone, remained the sweet girl. Broken-hearted and terror-stricken she repeated fervently all the prayers she knew.
Ded Moroz, the almighty sovereign at that place, clad in furs, with a long, long, white beard and a shining crown on his white head, approached nearer and nearer, looked at this beautiful guest of his and asked:
“Dost thou know me?—me, the red-nosed Frost?”
“Be welcome, Ded Moroz,” answered gently the young girl. “I hope our heavenly Lord sent thee for my sinful soul.”
“Art thou comfortable, sweet child?” again asked the Frost. He was exceedingly pleased with her looks and mild manners.
“Indeed I am,” answered the girl, almost out of breath from cold.
And the Frost, cheerful and bright, kept crackling in the branches until the air became icy, but the good-natured girl kept repeating:
“I am very comfortable, dear Ded Moroz.”
But the Frost, however, knew all about the weakness of human beings; he knew very well that few of them are really good and kind; but he knew no one of them even could struggle too long against the power of Frost, the king of winter.
The kindness of the gentle girl charmed old Frost so much that he made the decision to treat her differently from others, and gave her a large heavy trunk filled with many beautiful, beautiful things.
He gave her a rich schouba lined with precious furs; he gave her silk quilts — light like feathers and warm as a mother’s lap. What a rich girl she became and how many magnificent garments she received!
And besides all, old Frost gave her a blue sarafan ornamented with silver and pearls.
When the young girl put it on she became such a beautiful maiden that even the sun smiled at her.
The stepmother was in the kitchen busy baking blini for the meal which it is the custom to give to the priests and friends after the usual service for the dead.
“Now, old man,” said the wife to the husband, “go down to the wide fields and bring the body of thy daughter; we will bury her.”
The old man went off. And the little dog in the corner wagged his tail and said:
“Bow-wow! bow-wow! the old man’s daughter is on her way home, beautiful and happy as never before, and the old woman’s daughter is wicked as ever before.”
“Keep still, stupid beast!” shouted the stepmother, and struck the little dog.
“Here, take this blin, eat it and say, ‘The old woman’s daughter will be married soon and the old man’s daughter shall be buried soon.’”
The dog ate the blin and began anew:
“Bow-wow! bow-wow! the old man’s daughter is coming home wealthy and happy as never before, and the old woman’s daughter is somewhere around as homely and wicked as ever before.”
The old woman was furious at the dog, but in spite of the blini and whipping, the dog repeated the same words over and over again.
Somebody opened the gate, voices were heard laughing and talking outside. The old woman looked out and sat down in amazement.
The stepdaughter was there like a princess, bright and happy in the most beautiful garments, and behind her the old father had hardly strength enough to carry the heavy, heavy trunk with the rich outfit.
“Old man!” called the stepmother, impatiently; “hitch our best horses to our best sleigh, and drive my daughter to the very same place in the wide, wide fields.”
The old man obeyed as usual and took his stepdaughter to the same place and left her alone. Old Frost was there; he looked at his new guest.
Art thou comfortable, fair maiden?” asked the red-nosed sovereign.
“Let me alone,” harshly answered the girl; “canst thou not see that my feet and my hands are about stiff from the cold?”
The Frost kept crackling and asking questions for quite a while, but obtaining no polite answer became angry and froze the girl to death.
“Old man, go for my daughter; take the best horses; be careful; do not upset the sleigh; do not lose the trunk.”
And the little dog in the corner said:
“Bow-wow! bow-wow! the old man’s daughter will marry soon; the old woman’s daughter shall be buried soon.”
“Do not lie. Here is a blin; eat it and say, ‘The old woman’s daughter is clad in silver and gold.’”
The gate opened, the old woman ran out and kissed the stiff frozen lips of her daughter. She wept and wept, but there was no help, and she understood at last that through her own wickedness and envy her child had perished.
The End
Works Cited
“Wooden house in Haute-Nendaz Switzerland” by Thijs Kennis is licensed under the Unsplash License.
“Godspeed you, passerby!”, she thought // 2015” by Rostyslav Savchyn is licensed under the Unsplash License.
“Snow Maiden” painting by Viktor Vasnetsov is in the public domain under the license PD-US-unpublished.
“Father Frost” by Nicholas Roerich is in the public domain under the license PD-US-unpublished.
“Fur Coat” by Raimon Furs Ltd is released as “CCBY” by the Auckland Museum.
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“Sarafan Shebekinskiy Region” by the Shebekinskiy Historical-Artistic Museum is in the public domain under the license CC BY-SA 3.0.
“Person Holding Brown Bread on White and Black Textile” is licensed under the Pexels license.
“The Snow Maiden” by Kazimierz Stabrowski is in the public domain under the license PD-US-unpublished.
“Frozen” by Zoltan Tasi is licensed under the Unsplash License.
© 1979 from Folk Tales From the Russian retold by Verra Xenophontovna Kalamatiano De Blumenthal. First published in 1903, reprinted in 1979 by Core Collection Books. This story and all other illustrated images, gifs, and audio included are in the Public Domain under Creative Commons license.
About the Author
Verra Xenophontovna Kalamatiano De Blumenthal retold some of the most well-known Russian fairy tales and folk tales in her book Folk Tales from the Russian. She was born in 1864 in Sevastopol, Russia, and was a daughter of a Black Sea Fleet Admiral.
About the Curator
Sofi Sanders is an assistant editor of HIVEMIND Magazine, focusing on the visual design of the website as well as this Translating Culture collection and its accompanying article. She is a Russian-American graduate student completing the Global Media and Cultures Master of Science at Georgia Tech with a concentration in Russian. Sofi is currently focusing on the interrelationships within cross-cultural communication and also investigating the state of the Russian news media, particularly with regard to corruption, censorship, and bias. Her interest in speculative fiction stems from fond childhood memories of Lord of the Rings, as well as her passion for cross-cultural (meaning alien cultures too!) reading and writing.